Marcus Tempus
Graceful, refined and unmistakably elegant, this Antique Edwardian 15ct Gold Brooch beautifully captures the delicate artistry that defined the Edwardian era. Crafted in rich 15ct yellow gold, it showcases the light, flowing lines and exquisite proportions that continue to make Edwardian jewellery so highly sought after today.
At its centre sits a vibrant natural peridot, chosen for its fresh green brilliance and framed within an elegant circular setting. Delicate seed pearls are thoughtfully arranged throughout the brooch, adding softness and subtle lustre while perfectly complementing the warm glow of the gold. The openwork design reflects the graceful aesthetic of the early twentieth century, creating a piece that feels both timeless and effortlessly wearable.
Unlike modern gold alloys, 15ct gold was used exclusively in Britain between 1854 and 1932, making pieces such as this a wonderful reminder of a unique period in British jewellery history. Its distinctive warm colour and historical significance add to the charm and collectability of this exceptional brooch.
Whether worn on a tailored jacket, silk scarf or elegant dress, this beautifully preserved brooch offers understated sophistication and timeless appeal. It also makes a thoughtful gift for collectors and admirers of fine antique jewellery.
Carefully selected for the Antique Jewellery Collection by Marcus Tempus, this one-of-a-kind brooch celebrates authentic Edwardian craftsmanship, elegant design and over a century of jewellery history.
Travel Through Time
Edwardian jewellery belongs to an age of elegance, optimism and graceful refinement. Designers used platinum to create airy settings that allowed diamonds and pearls to appear almost suspended against the skin.
Bows, ribbons, wreaths and garlands gave jewellery a softness inspired by lace, embroidery and eighteenth-century courtly ornament. The result was jewellery that looked delicate while demanding remarkable technical skill.
London & Paris, 1908
Platinum transformed diamonds, pearls and coloured gemstones into lace-like compositions filled with light.Edwardian jewellery may contain extremely fine platinum work, delicate milgrain, natural pearls, foil-backed stones or historic repairs. Avoid knocks, chemicals and unnecessary pressure around pierced settings.
Details to Discover
Pierced platinum and fine wirework allowed jewellers to create intricate, open designs that felt lighter than earlier jewellery.
Ribbons, swags, wreaths and bow motifs reflected the romantic neoclassical style associated with Edwardian and Belle Époque design.
Minute beaded edges softened the outlines of platinum settings, adding texture while helping diamonds remain the visual focus.
A Palette of Light
Platinum’s strength allowed settings to become finer, lighter and more open while securely holding diamonds and gemstones.
Old European, old mine, rose and small single-cut diamonds brought a distinctive hand-cut brilliance to Edwardian designs.
Natural pearls were especially prized and often paired with diamonds in necklaces, brooches, pendants and delicate garland jewels.
Sapphire, ruby, emerald, opal and other coloured stones could introduce restrained colour within predominantly white platinum jewellery.
Marcus Tempus Heritage Jewellery
Antique jewellery may show gentle wear, earlier resizing, replaced components or historic restoration. These details form part of its journey and are considered carefully during assessment.
We examine the condition of the setting, gemstones and principal components before an Edwardian or Belle Époque piece is offered for sale.
Dates and period descriptions are based on design, construction, materials, hallmarks and available evidence. Where an exact production date cannot be confirmed, we use the most appropriate period or style attribution.
Ask About This Piece →Questions & Answers
Edwardian jewellery generally refers to jewellery associated with the reign of King Edward VII and the years immediately surrounding it, approximately 1901 to 1915. In France, much of the overlapping design period is known as the Belle Époque.
Typical clues include delicate platinum construction, pierced openwork, milgrain edges, old-cut diamonds and motifs such as bows, garlands, ribbons and floral swags. Hallmarks and construction should always be considered alongside the design.
Diamonds and natural pearls were especially important. Sapphire, ruby, emerald and opal were also used to introduce carefully judged colour within predominantly white platinum designs.
The piece should be professionally assessed before cleaning. Fine platinum work, natural pearls, foil-backed stones, historic repairs and delicate milgrain may be unsuitable for ultrasonic or steam cleaning.
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